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I hit Top 10 locally, without giving any payments. Interesting...

I watched the entire video and didnt see where you told me how to change the note value. If i want to add quarter notes or half notes using the pencil tool...where can switch the value? Thanks.

Great stuff. Thanks for the deatailed explanation.

Helpful for me thanks

plus and minus don't work on my normal keypad without the numeric functions..

High fidelity capturing or creation of Lo-fi sounds and tones makes music more interesting. Great video!

Appreciate this

What the hell is a "soundboard"?

thank you so much. very helpful

Thanks for the review! I’ve been eyeing this for a while. Can you get individual tracks off the SD card? or just the mix down

secondly, the pleasure of handling a tape or a 33 1/3 disc on a turntable appeals to all the senses which contributes to a better experience: sight, smell, touch, listening. (maybe not the taste!

I think the same way as you, first of all because we live in a digital audio world which is technologically more advanced than analog, but which allows us to better reproduce the warm side of the analog audio world. I work with analog audio (Neve Burl and Chandler preamps, Revox open reel), but also digital audio equipment (Lexicon and Antelope Audio)

Why is there no phantom power on individual tracks? Does that mean you can only put it on all them at once?

I have this theory that we are wired to understand our feelings as truth. Like when we are young, and fall in love, we're convinced that our feelings prove we're supposed to be with that person forever. So, maybe, when folks hear that analog warmth, twist the real knobs, see the beautiful gear all racked up they feel so good, and it does sound good. Ergo, it must be better, like measurably better.

Amazing. Thank you so much - cheers from Toronto.

Great video, it’s always cool to learn something new. 🙌

Hi, Can I somehow block notes from octave 0 from being accepted from the keyboard in Pro Tools? I have a problem with random notes in this octave. Regards

You're absolutely correct! It's not just opinion. It is fact. digital is higher fidelity. Analog has more charm because of it's flaws. Warmth is derived from very subtle noise and distortion. The term that best applies is psychoacoustics. Both have their place. Preference is simply subjective. A narrow view is snobbery.

Literally just had a comment war with another person on RUclips who wanted to make sure I was wrong about digital and analog, and he stated that there is no way a plugin will ever be better than analog and I don’t have enough experience with analog to have an opinion…I definitely have enough experience (like 15 years) with analog and digital both. People are just really aggressive sometimes and I realize that ignoring them is healthier than getting upset. The less time I argue the more time I have to mix master and produce.

I agree

This argument was over, done and totally bored with 30 years ago. I'm sorry but you are literally sharing the discovery of the wheel. Try to be inovative.

Everything is a fight

As far as using tape is concerned I don't miss having to realign tape heads or clean the machine's tape path or redoing bias. I do miss using two stereo machines to produce tape phasing effects of which I've still to find a decent digital equivalent. Wearing headphones I don't get the same feeling of my head being squeezed and then released that I heard with tape phase. Even transferring such a recording to digital I lose that feeling. Digital is certainly cleaner and has a better dynamic range and I'm a fan but possibly as I have got older and my hearing has reduced in frequency response I may not be the best person to comment. No matter what you use, it is only a good as it's weakest link and what I hear will not be what you hear. For that reason alone I feel there will never be consensus of opinion on these types of topics.

Your video and Digital Is Dying & Why You Should Try Analog got recommended to me, side by side, LOL! I'mma just use the mixdown tape machines up on MixAnalog during the final steps because too much tape can be a bad thing. 😀

I came up in the 90s doing demos on tape and got into larger format recording when digital recording was still non-standard, and studios were only partially shifting over to hybrid rigs. Interned at a studio with 2x Studers and a Pro Tools rig. Back then the PT rig wasn't all that great, and we would A/B recordings where tape had more pleasing harmonics and significantly better bottom end. But 20 years on, digital recording has completely proved itself and thensome. While I still do like a few analog outboard compressors & boxes with tubes for the distortion they add in the chain, I don't miss dealing with large format tape machines and maitenance. Honestly the gap has been closed for awhile now that I'm surprised people would still be fussing over analog vs digital. Just make music!

I’ve worked in both. I loved the big studio analog workflow. And I still don’t think anything I’ve ever heard sounded as good as a playback of a 2” master that’s still fresh, with all of its top still intact. But I also remember hearing the playback off a Sony DASH machine for the first time, and it was gorgeous. And even a moron could nail difficult punch-ins with it. But this “argument” or “controversy” is basically over. From a technical, numbers perspective, digital audio wins, and from a sound perspective, the general consuming public, well, it’s not even a tiny blip on the radar. I’ll always miss big consoles, but I won’t miss the maintenance. THat’s the whole thing in a nutshell. Good video. Thanks for making it. Luke Korneff Audio

Something to keep in mind is length of time digital audio has been so easily record-able. I remember when the DIGI001 was the only home studio Pro Tools option for bedroom producers. Since then, much has changed. There was also a time when there were no eq modules for engineers to use in large studios such as Capitol Records. They had to match the microphone to the desired color of sound they were going after and use the room as much as possible. (MANY YEARS AGO) Since then, much has changed. In my opinion, it's already more common than not for the hybrid scenario to be the most realistic choice for the modern engineer/producer: Analog desks with analog outboard gear shaping and leveling the signals being captured into a digital space for all of the precision edits, eq, intricate fx etc. ❤

Very well said, thoughtful and highly articulate. Thank you for this!

At lease in my computer (Windows) it's holding "START" to change the playlist height 💫

This is helpful. I am trying to get a score ready for studio musicians to play - do you ever doing tutoring for pay? I have a great Protools tutor but he doesn’t use the score much.

Can u plz enlighten me....while gain staging I set my faders to unity and adjusted the gain level for tht sweet spot hitting around zero in VU meter...now how will I balance the levels for each track while mixing...coz offcourse I have to touch the faders....without touching faders how will I balance the volume level of each track ???

the sophistication of ai these days will make it tough since it will at least not comment about the lyrics in an instrumental. i always ask "how many albums have you sold from being #1?"

can you learn me about pro tools please i from india

Bruh!!! What a life saver! My Mac Mini thanks you!

If you want this to do better you need to explain what this is about in the first few seconds. Im a software engineer with a fair bit of experience, but even I have no clue what you're talking about

The video is excellent, just like all the others I’ve watched from you. Very interesting, useful, and with the appropriate explanations. I wanted to ask you a question that I’m not sure is possible. Is there a shortcut, like using CTRL + Command to disable inserts/plugins, similar to how you bypass inserts or all of them in a row? I know that using CTRL + Command + Option disables only the inserts in the first column. My question was quite lengthy, and I’m not sure if it’s entirely clear. Sending you my regards and thanks for the dedication you put into your videos.

Light to Dark on ReverbNation

Yep! Totally annoying, thanks for the groan

Eternal Sunshine of the Spotless Mind has good sound editing I think. Aliens 2 comes to mind for sound design.

Audio sounds good on this recording :)

The scam basically is: the more you pay the higher your ranking is. Lol

Great video

When I enable low latency monitoring, I cannot hear the audio on the track coming through my monitors or headphones. But when I turn it off, I can hear it just fine. Is there a setting that remedies this problem, so that I can hear my audio while in low latency monitoring mode to record?

What's really amazing is that I looked this video up SPECIFICALLY because I want to automate the endless smile I have in my pro tools session. Literally the EXACT plugin I needed to automate!!! Love you!

diddy party

My favorite trick, back in the day, was to run a tape to pre-delay the send to the plate (EMT 140) or the spring (AKG BX-20) simulating the back wall scatter of a hall. Distance between record and play head gave the delay. Could get the slap in tempo by vari-speeding the tape. Then the studio bought a 250 (and 251) and the universe changed.

❤❤❤❤

this was very helpful thanks

Also, has that studio ever recorded/mixed your type of genre? I worked with a studio that was owned by someone that played in a famous band in my area. I suspect, this studio had only recorded rock/metal because they didn't know how to mix in the congas or timbales. After the band decided to pay for extra studio time that night, the tech says "We can't have the studio run late because of the apartments next door." And everybody that heard the final mix said you couldn't hear the congas and the bass was too boomy. Never went back to that studio.

I've always found it odd when the studio's set up time is within the session timeframe.